Full spoilers for Outlander continue below. There was never any doubt in my mind that Outlander would show the shades of grey to fighting a battle like Prestonpans. This is a show that has impressed upon us time and again that nothing in life is without complexity, be it sex, love or violence.
Wee Caps are written at 1 AM after the midnight release and are my immediate reactions/feelings about the episode.
History tells us this was a 15 minute victory for the Scots. And to win in 15 minutes, you kill and wound a lot of people. So the one thing I will tell people is that this episode is graphic and violent, from the first minute. If that sort of thing bothers you, this episode will be harder to watch. I did grimace a few times.
The title card shows the juxtaposition of the Highlander music and the British army music. One that wails in the night, the other that is rigid yet direct. It is a symbol of things to come over the next few episodes.
I can see why Sam was proud of this episode. He was in and out of it for the whole hour but it was really the rest of the expanded cast that had the spotlight. But whenever Jamie is on screen, the camera just finds him. This episode explored his relationship with everyone in his life who is at the camp with him.
I thought it started a bit slow. We got 2 of the 3 MarkMe early on. You can see that even when other men/generals are arguing, Jamie is always thinking. One of the most accurate lines of the night about Jamie is when Dougal tells him that something he just engineered (on his feet) was smart and cunning and that he reminded him of Colum. I wondered if Dougal recognized at that moment why Colum wanted Jamie to succeed him and not Dougal.
The actor that most impressed me tonight besides our two leads? Young Romann. He was good, I mean really really good. I love the relationship that has developed between Claire and Fergus as well.
The scene that was in the preview where Fergus interrupts a kiss? I could tell they weren’t going to kiss because Jamie didn’t lick his lips. But don’t worry, there was some great kisses in this episode. Jamie had what can only be described as battle lust in his eyes both before and after the skirmish.
There is a scene with the specimen bottle that shows boys will be boys no matter what the circumstances.
The parallel stories between the two soldier friends Rupert and Angus and the two farmer friends Ross and Kinkaid were nice but not exactly original writing by Ira.
The set production/cinematography was really good, I actually would love to see that on a big screen. The use of the morning fog was excellent.
The scene with Claire and the women at the hospital while the battle sounds began shows that sometimes waiting and wondering can be just as hard as swinging a sword. Claire was back in field hospital taking charge mode. I wonder if she hadn’t worked through her PTSD with Jamie last week if she would have had a hard time at the hospital.
The music was superb and the heartbeat type sound before the battle was unique sounding and really captured the adrenaline of both nerves and excitement that I would imagine precedes a battle.
With war comes loss. Loss of life, loss of innocence, loss of stability. And PrestonPans is no different.
I wonder how many times they had to film those scenes, it must have been exhausting. I also wonder if those were the scenes that Sam filmed while Cait was doing Faith.
I look forward to watching it again on my HDTV tomorrow to catch the little things that one misses on first watch. It certainly isn’t the kind of episode that you watch over and over like last week but it was very important in many ways.
Even though this was Sam’s favorite, I’m glad it was not submitted for Emmy. He had deeper performances in other episodes in terms of meaty scenes that voters like. But I loved watching his eyes in this episode. I’m glad they are continuing to show how intelligent Jamie is.
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Book readers and history buffs know the outcome of the Battle of Prestonpans, which is the focus on Outlander, Episode 210. If you don’t know, then there may be a little spoiler here.
Initially known as the Battle of Gladsmuir, the Battle of Prestonpans, fought on September 21, 1745, was the first battle of the second Jacobite Rising. The Jacobite army, consisting of loyal followers of James Francis Edward Stuart and led by his son, Charles Edward Stuart (aka Bonnie Prince Charlie), met and defeated England’s King George’s forces led by Sir John Cope. The victory was a huge morale boost for the Jacobite army.
How did the Jacobites win the Battle of Prestonpans?
“On September 20, Cope’s forces encountered Charles’ advance guard. Cope decided to stand his ground and engage the Jacobite army. He drew up his army facing south with a marshy ditch to their front and the park walls around Preston House protecting their right flank. A Highlander supporter, Robert Anderson, was a local farmer’s son who knew the area well and convinced Charles’ Lieutenant General, Lord George Murray, of an excellent narrow route through the marshlands. Commencing at 4:00 a.m., he moved the entire Jacobite force, walking three abreast along that route, known as the Riggonhead Defile, in silence, arriving to the east of Cope’s army at Seton West Mains. Although Cope kept fires burning and posted picket during the night as the Highlanders were making their move, they were not spotted by the pickets until around 5:00 a.m.
“At 6:00 a.m., as dawn broke on September 21, 1745, Cope’s foot soldiers and dragoons beheld the spectacle of some 2000 Highlanders charging through the early mist, making ‘wild war cries and with the blood-curdling skirl of the pipes.’
“Cope’s inexperienced army had just wheeled round from facing south to facing east in great haste but could only fire their cannons and muskets just once before the Highlanders were upon them. They they fled, despite Cope and his officers’ attempts to force them at pistol point to make a stand. Cope’s army, facing east to confront the Jacobites, now had the ditch to their south and the walls of Preston House to the west behind them, blocking their panicked retreat.
“The ‘battle engagement’ was all over in less than fifteen minutes with hundreds of government troops killed or wounded and 1500 taken prisoner as the redcoats fled the field. The Hanoverian baggage train at Cockenzie was captured with only a single shot fired, and it contained £5000, many muskets, and ammunition. The Highlanders suffered less than 100 troops killed or wounded. The wounded and prisoners were given the best care possible at Prince Charles’ insistence.”
Their good fortune would not hold when the Jacobite army met British troops, led by William Augustus, Duke of Cumberland, in their final confrontation at Culloden Moor on April 16, 1746.
Storyboards are an important tool sometimes used in the pre-production process. The director works with a storyboard artist to plan out each shot required to shoot a particular scene and tell the story. The storyboards are then shared with the entire crew, so everyone has an idea of the director’s vision for the scene and can plan accordingly.
‘s war, what is it good for? Leaving our heroine curled in the fetal position, apparently. This week’s episode of the Starz drama delves into Claire’s experiences in World War II, which turn out to have been even more ghastly than we might’ve realized.
Unfortunately for Lady Broch Tuarach, she’s not likely to be in any more comforting of an environment for some time to come, because Clan Fraser is officially marching off to battle.
Not that I don’t love impending bloody carnage and soul-crushing loss as much as the next girl, but knowing what’s to come, how about we focus on some lighter fare for the moment? Dougal, Rupert and Angus are back — though Jamie might wish that weren’t the case — and we become acquainted with the boy who will become the man known as Lord John Grey. As Oldlanders know, this is a verra good thing, indeed.
Let’s review the major events of “Je Suis Prest.”
GETTING THE GANG BACK TOGETHER | Jamie, Claire and what’s left of their contingent arrive at Perth to rendezvous with Murtagh and pretty much everyone else. As Claire’s voiceover informs us, a bunch of Lord Lovat’s men deserted along the way, so Young Simon was tasked with trying to bribe them back into the fold. Murtagh gives the Frasers a little good-natured ribbing about being five days late, and then — wait, that wink was at Claire, right? I’m going with Claire. #Clairetagh4eva
Fergus acts like a big, curly-haired Labrador puppy when he sees them, and then Rupert and Angus are there, as well… so you know that means Dougal can’t be far behind. Claire’s surprised that the three men have broken with Colum’s desire to keep Clan MacKenzie neutral, which prompts Dougal to launch into the first of many “for glory, for Scotland!” speeches. Mistress Fraser rolls her eyes hard, and with relish.
The “army,” such as it is, needs a lot of training. So rather than follow Dougal’s desire to march off and battle the Brits alongside the rest of the Jacobite forces, Jamie decrees that they’ll camp where they are until the ragtag bunch of volunteers learn how to fight as one. Dougal acts like he’s kind of OK with that, but he’s verra much not OK with that.
LOADED FOR BARE | How do we know? Because as Jamie’s putting the fear of God into his men, telling them horror stories from his time fighting in France, Dougal, Rupert and Angus come screaming down upon them, shirtless, muddy and demonstrating how warfare is done in the ancient Highland tradition. On a related note: Did someone change the MacKenzie battle cry to Tulloch Hardbody? Because damn, Dougal!
Well-aged washboard abs aside, Jamie is irked by his uncle’s refusal to let his nephew lead. “I ken what these men will face, and I know how to prepare them for it,” Jamie says with barely restrained anger. “Ye don’t.” And though Dougal appears to back down, he’s merely changing tack: He later tries to get Claire to lobby Jamie on his behalf, but she basically tells him to stick a bagpipe up his bahookie. She correctly susses out that Dougal doesn’t want glory for Scotland, he wants power for himself. And to that, she says: “F—k yourself.”
WAR IS HELL | Yes, Jamie’s narcissistic uncle probably deserved that, but Claire’s a wee bit testy this episode, no? Turns out that being around all of the men preparing for battle has dredged up a very traumatic memory from her own time in World War II, in which some American soldiers with whom she was friendly were killed during a German ambush while she lay, helpless, in a trench nearby.
Her PTSD manifests itself in uncharacteristic quietness, then a higher-than-normal number of f-bombs dropped, then ultimately in a full-on panic attack that leaves her balled up behind a wagon, palms pressed to her ears. That’s where Jamie finds her, whispering, “Please, shut up” to the memory of a dying Allied soldier screaming for his mother.
After Lady Broch Tuarach has pulled herself together, she realizes that she buried the nightmare: “I just closed the door on that night. Walked away,” she tells her husband, who is very understanding as he suggests that she should go back to Lallybroch in order to get away from the fighting. But she refuses, saying that returning to Jamie’s family home will be like being back in the ditch again, “helpless and powerless to move, like a dragonfly in amber. Except this time, it’ll be worse.”
You guys know already that I’m a fan of the little things Caitriona Balfe and Sam Heughan do to make the Jamie-Claire relationship sing; for that reason, I won’t waxtoo poetic about the look Big Red gives his lady as she says she’s not going anywhere. It’s a gaze full of love, solidarity, respect, a teeny bit of amusement and an insane amount of pride — and it all happens in a microsecond. He agrees that she should stay with him, then promises that she’ll never be left alone again. They kiss, and it’s a good one.
MEET JOHN GREY | OK, back to Dougal’s asshattery. He goes on an unauthorized walkabout and brings back a handful of “volunteers”… who Jamie quickly realizes have been threatened into joining the Jacobite army. After releasing the men from their conscription, Fraser orders the men on sentry duty — who clearly weren’t doing their job, considering Dougal’s huge group of armed men just waltzed into camp — to be whipped as punishment in the morning. Along the way, Jamie stands and intones, “I’m James Alexander Malcolm MacKenzie Fraser. I command this army,” and I’m sure there are things that are sexier, but I’m having trouble thinking of any of ’em right now.
Anyway, later that night, Jamie is peeing when he’s attacked by a teenage member of the British army — marking the first time (but certainly not the last) that Lord John William Grey tries to get his hands on Jamie’s sweet D. I mean his dirk, aka his knife. Why, to what did you think I was referring? Those of you who’ve read ahead in Diana Gabaldon’s novels know that the young attacker, who introduces himself as William Grey when pressed, will become a major character as the years go on. But for now, he’s just a scared kid whose attempt to infiltrate the Jacobite camp went horribly wrong. Oh, and Jamie broke his arm.
Still, Grey is “quite prepared to die,” he announces, and won’t give up any details about his unit’s movements until Claire wanders over and pretends to be Jamie’s captive; when Jamie says he’ll spare Claire’s virtue if the boy spills what he knows, Grey relents. (A little too early, in my opinion, because watching the silent looks Mr. and Mrs. Fraser shoot each other during the farce — including after she knees him in his standing stones — is pretty fun.)
“I give you your life. I hope you use it well,” Jamie says, releasing the boy. But young Grey is going to have the last word, which is quite ballsy, considering the circumstances: He vows to pay back the debt… then kill Fraser. “Then I must hope, sire, that we do not meet again,” Jamie says, clearly tickled by the kid’s pluck. “A Grey does not forget an obligation, sire,” Grey replies.
CANNON MARAUDER | Sooooo…. who was on watch and missed the intruder this time? That would be Dougal and his men, but Jamie points out that the unshielded fires drew Grey’s attention, so he — as commander — is responsible, too. So he asks Murtagh to whip him, as well. Wait, isn’t poor Jamie’s back basically a piece of wet paper towel by this point? Is this really a good idea? But he doffs his shirt and takes his punishment, proving to his men that no one is exempt from responsibility. And when that’s done, it’s time to raid Grey’s camp! Huzzah! Except for you, Dougal. You’re still in the naughty corner.
So Fraser and his men rub soot on their faces and sneak into the enemy encampment to steal the pins from their cannons and abscond with the wheels from the cannon wagons. It’s a huge success, and when they’re back, Jamie triumphantly climbs on top of his sleeping wife and happily kisses her. While I’m wondering how none of the schmutz on his face gets on her, he tells her to get dressed, because they’re about to take off. Claire (and I) lament that she was pretty sure she was going to get a little victorious lovin’, but Jamie says there’s no time. (Side note: If Dragonfly in Amber taught me anything, it’s that there is ALWAYS time for a quickie, no matter the circumstances. #justyouwait)
When Jamie and his group arrive at the Prince’s camp, Jamie throws Dougal a bone and allows him the honor of riding ahead to announce their arrival. The war is officially on.