web analytics

Jamie Fraser

Share

Episode 111 is another great one for Jamie and Claire.  It has some major expositions, climaxes, and resolutions in the early plot structure.   These are a few of our favorite scenes from the episode.

The Confession

ol-s1-11-claires-confession-to-jamie1 ol-s1-11-claire-confesses-to-jamie2  ol-s1-11-claires-confession-to-jamie5 ol-s1-11-claires-confession-to-jamie6

In each episode we see reasons why Jamie is the King of Men.  Even though Claire’s story defies logic, Jamie believes her because he trusts her.  He trusts her to tell him the truth.  What is so heartwarming about this scene is that Jamie feels guilty for having beaten her for running when he told her to “stay put” because he understands she was trying to reach the stones and go back to Frank.  I think it was during the end of this scene that Jamie decided to take her back to the stones.  He always thinks of Claire’s feelings and is willing to put her feelings before his own.

A friend in need is a friend in deed.

ol-s1-11-ned-with-gun

Claire’s and Geillis’s lives are in jeopardy at the witch trial, but can we take just a moment to appreciate Ned Gowan?  He defied Colum’s wishes and tried to save both Claire and Geillis, but ultimately he realizes that Geillis is a lost cause.  Still, he’s willing to risk his life to save Claire.  Ned might be the last person one would think brave enough to take on a courtroom full of enemies, but here he is, brandishing a pistol to defend Claire.  He was willing to commit murder before dozens of witnesses, which is incongruent with what he had always told the highlanders.  He had encouraged them not to kill anyone when they went to rescue Claire from Black Jack, but now he appears ready to do whatever he can to protect Claire, regardless of the odds.  How cute is Ned Gowan here?

We hope Bill Patterson returns in Season 3, Voyager.  He has a few legal issues he needs to resolve for Jamie and Claire.  Like Mrs. Fitz, we believe Ned might be another Jamie/Claire shipper.

Ned, this is how it’s done.

ol-s1-11-jamie-in-courtroom1 ol-s1-11-jamie-courtroom2

At least Jamie brandishes two weapons, and if anyone can defy the odds in this courtroom, it is Jamie Fraser.

This isn’t the first time Jamie has shown up at the last minute to rescue Claire, and it won’t be the last.  He sees his beloved being whipped across her back, and he is so angry he practically spits… literally.  After issuing a warning that the first man forward would be the first man down, wisely no one doubts that he means exactly that.  With a sword in one hand and a dirk in the other, Jamie holds off the crowd until Geillis distracts them with a confession and declaration of Claire’s innocence.  Although Claire is willing to go down with Geillis, kudos to Geillis for saving Claire.

It is better to give than to receive. ol-s1-11-jamie-claire-camp-fire2

Jamie plans to take Claire to the stones the next morning, so rather than taking pleasure from what he believes is their last sexual encounter, he only wants to give it.  He just wants to look at her while he pleasures her so he can keep the memory of her face in his mind.  Again, the King of Men.

To the stones.

ol-s1-11-jamie-claire-at-stones1 ol-s1-11-jamie-claire-at-stones2 ol-s1-11-jamie-claire-at-stones3 ol-s1-11-jamie-claire-at-stones4 ol-s1-11-jamie-claire-at-stones5ol-s1-11-jamie-claire-at-stonesol-s1-11-jamie-claire-at-stones6ol-s1-11-jamie-claire-at-stones7

This is such a sad scene.  It breaks my heart the way Jamie watches Claire while she washes in the stream.  She is clueless about Jamie’s plan to take her to the stones and help her get back home to Frank.  Once at the stone circle, Claire is beckoned by the large stone and is pulled away at the last minute by Jamie.  He apologizes for the action, saying he just wasn’t ready yet.  He doesn’t beg her to stay, but instead encourages her to go back to a safe place, away from the danger and violence of his time.  He tells her he will remain at the camp below until dark and he is sure she has safely gone.

At the end of the scene, we see Jamie walk away and Claire in deep thought, staring at her hands where she wears the rings representing both marriages.  She approaches the stone and the screen goes black, leading viewers to believe that she has gone back… to Frank.

Take me to Lallybroch.

ol-s1-11-jamie-claire-on-your-feet1 ol-s1-11-jamie-claire-on-your-feet2 ol-s1-11-jamie-claire-on-your-feet3 ol-s1-11-jamie-claire-on-your-feet4 ol-s1-11-jamie-claire-on-your-feet5 ol-s1-11-jamie-claire-on-your-feet6 ol-s1-11-jamie-claire-on-your-feet7  ol-s1-11-jamie-claire-on-your-feet8 ol-s1-11-jamie-claire-on-your-feet9

The black screen transitions to night where Jamie is lying by the campfire, tears of sadness streaming down his cheeks.  This must have been a true shocker for non-readers, but suddenly we hear Claire’s voice say to Jamie, “On your feet, soldier.”  Jamie must have thought for a moment that he was dreaming when he rose to see Claire looking down at him.  “Take me home to Lallybroch” means Claire has chosen him over Frank, over her own time, and he realizes it.  His tears are no longer from sadness and loss, but tears of happiness, joy, and relief.

I’m embarrassed to share the number of times I’ve watched this episode, but I will say that I’ve never been able to watch the final two scenes with dry eyes.

 

Share
Read more

Share

Could the power of the Blood Oath be what keeps Jamie and Claire united for eternity?

OL-S1.7-the-wedding-pt.-2-5 OL-S1.7-the-wedding-pt.-2-6 OL-S1.7-the-wedding-pt.-2-7 OL-S1.7-the-wedding-pt.-2-8 OL-S1.7-the-wedding-pt.-2-9 OL-S1.7-the-wedding-pt.-2-10 Gaelis Wedding vow

The visuals in Episode 107 are most pleasing (ahem..), but the the significance of the Gaelic Wedding Vow should not be diminished. If Claire had been aware of its significance, she may have refused to do it at the time because she saw the marriage as a temporary resolution of her problem and had every intention of getting back to the stones.

The magic in this story (especially the books) is sometimes subtle, but it is potent, and the Gaelic Wedding Vow that Claire and Jamie take is essentially a blood oath.  Blood is a powerful symbolism, and sometimes even has mystical powers.  The blood oath makes use of this to make a commitment that can’t be broken.

Blood spilling is a potent force in the working of magic, and in some mythologies certain types of blood are deemed more powerful than others.  Some consider the blood of royalty, the blood of a special line (Fraser, the Fraser Prophesy), the caster’s own blood (Jamie and Claire), and virgin’s blood (Jamie) to be most powerful.

In many ways their wedding ceremony represents the traditions of their time, but their blood vow may be described as something between a binding handfasting and an initiation.  It is a spiritual blending, a binding of their souls, not just to God but to one another, and not just for this lifetime but forevermore. Not until death-do-us-part but for all lifetimes to come.  Jamie knew what he was doing and knew it’s significance, but Claire did not.  Claire viewed the wedding as a temporary solution until she could return to her time, but Jamie took the ceremony and its accompanying oath very seriously. As he tells Murtagh, he intends to marry only once, and he wanted to do it right.  He insists that they wed in a church, before a priest, with a ring for Claire and a proper dress.  He wanted to make it special for her as well.  Claire’s heart may not have been in it initially, but, as we know, looking back she wouldn’t have changed a thing.

That, my friends, is a commitment, but it may have been cemented by the ritual of the blood oath.

Share
Read more

Share

WARNING:  This article contains spoilers.

Fraser – shall I curse him for stealing my wife, or bless him for giving me my daughter? I think these things, and then I stop, appalled that I should be giving a moment’s credence to such a preposterous theory. And yet… I have the oddest sense of James Fraser, almost a memory, as though I must have seen him somewhere. Though likely it is just the product of jealousy and imagination – I know what the bastard looks like well enough; I see his face on my daughter, day by day!

That’s the queer side of it, though – a sense of obligation. Not just to Bree, though I do think she’s a right to know – later. I told you I had a sense of the bastard? Funny thing is, it’s stayed with me. I can almost feel him, sometimes, looking over my shoulder, standing across the room.

Hadn’t thought of this before – do you think I’ll meet him in the sweet by-and-by, if there is one? Funny to think of it. Should we meet as friends, I wonder, with the sins of the flesh behind us? Or end forever locked in some Celtic hell, with our hands wrapped round each other’s throat?

(Excerpt from Frank’s letter to Rev. Wakefield in Drums of Autumn, Ch. 71)

 

I had suspected long before, but this letter cemented for me the possibility that Frank Randall is a reincarnation of Jack Randall. Before proceeding, let me add that this theory focuses on the Western concept of reincarnation in the context of lessons learned by the soul/personality/ego. It is not the intent to debate or promote a religious significance to the concept of reincarnation. Instead, reincarnation is proposed as an interpretation or explanation of events within a within a work of fiction as they relate to fictional characters.

My initial research failed to produce any comments by Diana Gabaldon on this theory. However, in an interview she responded to a question on her thoughts of reincarnation:

Well, I’m a Roman Catholic, and we don’t officially believe in reincarnation. On the other hand, we do believe that ‘anything is possible,’ and I for one would certainly not be telling Him that this or that can’t ever happen.

Her response leaves the possibility open that she might at least suggest it in her fiction.  However, since first posting this theory on tumblr, I received an anonymous message claiming Diana Gabaldon had commented on her CompuServe account that there is no reincarnation in her Outlander Series. Regardless, I am invoking the “Dead Author“* approach to literary analysis and criticism and drawing my own conclusion.

The reincarnation theory initially occurred to me as a passing thought when Claire first encountered Jack Randall. What was the point, other than shock value, of having Jack be a spitting image of Frank? Obviously, reincarnation does not require that a current incarnation be a physical identical to a previous incarnation, but there are claims of such things. It could be explained by the two characters sharing some familial DNA traits even though Frank is not a direct descendent from Jack.

The similarities between Jack and Frank don’t end with the physical characteristics. They share similar careers and interests as well. Both serve in the British Army as officers involved in intelligence or at least covert operations, Jack with the Duke of Sandringham and Frank with MI6. Also, albeit for different reasons, both are obsessed with Jamie Fraser.

In keeping with the Western ideas of reincarnation, we can presume that the spirit of Jack Randall, an incarnation living in “darkness” and happy to be there, leaves that dark incarnation to one more compatible with “light” in the life of Frank Randall. While Frank still enjoys a military career in intelligence and covert operations, he, like Jack, is greatly affected by that life. Frank at least has a conscience, and his greatest work of light is that he is able to accept a child he knows is not his and raises her as his own. Though he withholds critical information from Claire and Bree about Jamie’s survival at Culloden and Bree’s true parentage, suspecting they would one day try to return to Jamie, he leaves a clue and teaches Bree the skills needed to survive in the seventeenth century. That is a karmic debt marked paid to Jamie Fraser. This is not to say that Frank is now a perfect person, as we know he has faults, we all do, but he has to some degree made amends to Jamie Fraser.

Some reincarnation theorists believe that unexplained physical ailments, conditions, or pains can be traced back to an illness or injury in a previous incarnation. Jamie and Jack’s duel resulted in Jack’s suffering a wound to his reproductive organs. Since Frank and Claire were unable to conceive a child but Jamie and Claire could, clearly it was Frank who was infertile. Could the cause of his infertility be the wound he suffered in the dual with Jamie?

At various points in the novels and some of the novellas, Jamie exhibits significant psychic skills. At one point when Jamie is injured and hallucinating, he can’t distinguish between visions of Jack and Frank. As one reader pointed out, Jack, Frank, and Jamie are “intertwined.” For years Jamie continues to have nightmares about Jack and at times senses Frank’s presence, as do Claire and Bree.

There are other clues that could be perceived as more than simple coincidence. Why would Frank be compelled to have his and Claire’s wedding in the Scottish Highlands? Why is Frank so obsessed with learning about his ancestor, Jack Randall? Why is Frank so familiar with the Fraser Prophesy? Is it a coincidence that Frank seeks out Dr. Quentin Beauchamp (Uncle Lamb) for information on French philosophy as it related to Egyptian religious practice? Is it a coincidence that Frank is the officer that recruited Jeremiah Mackenzie (Roger’s father) into a covert operation that ultimately led to his disappearance and a visit to Jeremiah’s wife where he first meets young Roger? So many events and characters are so extraordinarily intertwined that they beg consideration of a deeper connection.

Certainly there are arguments pro and con on this application of reincarnation, and this is only my interpretation. Admittedly, I have a tendency to think outside the box. However, in a book series fraught with metaphysical, mystical, and mythological events and characters (e.g., Druidry, faeries, changelings, magical stone circles, time travel, water horses, creatures of The Wild Hunt, witchery, clairaudience, astral travel, spontaneous disappearance), the notion that one character may be a reincarnation of an ancestor seems quite logical and even plausible.

Surely there are additional thought-provoking events not addressed here. What are your thoughts?

____________________

*”Dead Author” http://outlanderamerica.com/2016/09/21/death-of-the-author-a-theory-by-roland-barthes/

 

____________________

For further similarities and parallels between Frank and Black Jack Randall, please read Lenny’s post below.  http://lenny9987.tumblr.com/post/136675282965/parallel-lives-frank-and-black-jack-randall

Parallel Lives? Frank and Black Jack Randall (by Lenny)

One of the things that struck me about @deesdiaries Reincarnation Theory post (which I feel belongs with @gotham-ruaidh‘s Endless Loop Theory as far as theories are concerned) was all the parallels she was able to pull between Frank and Black Jack Randall beyond their strong physical resemblance – though Claire’s moments of confusion suggest there are mannerisms beyond simple appearance that add to that resemblance and that it’s those that are part of what trip her up when it comes to her interactions with Black Jack.

I had had ample opportunity to judge Randall’s true character, both from the stories I had heard and from personal experience. But there were those damnable flashes of Frank that kept showing through the gleaming, ruthless exterior.

Having several put forth in her post, additional parallels began to jump out. So first, a quick run-down of the parallels @deesdiaries put forth first but since some of them are spoilery, everything’s going below a cut.

Spoilers for Dragonfly in Amber, Voyager, Drums of Autumn, A Breath of Snow and Ashes, andWritten in My Own Heart’s Blood below.

-Both Frank and Black Jack are involved in British military intelligence (to differing degrees)

Black Jack’s intelligence involvement seems less linked to serving the military than to serving the Duke of Sandringham in whatever his aims may be while Frank’s are undoubtedly part of his war efforts. That said, they appear – in Written in My Own Heart’s Blood – to have lingered or carried over into his life post-war.

-Both men are unable to father children, Black Jack because of the injury Jamie inflicted during their duel and Frank is simply sterile (do we ever find the direct reason? did he have measles or some other disease as a child that can leave a person sterile?)

Arguably, the biggest difference here is that Black Jack never expresses a desire to father children while Frank does want a family with Claire. He begins with serious (and insensitive) reservations concerning adoption but when he learns he can’t father a child biologically and that Brianna is likely to be the only child he could act as father to, he begins manipulating the situation to ensure that he will remain her one and only father, concealing the truth of his discoveries about Jamie from Claire (and Brianna).

-Both men become – to different degrees and for very different reasons – obsessed with Jamie Fraser

Jamie Fraser means very different things to these two men but there is a degree to which their lives end up revolving around him. For Black Jack, Jamie’s defiance in their initial encounter sparks a deep desire to break the man, the possess his soul. Everything that happens at Fort William and the strength Jamie shows in resisting him only makes him want to break him more. At Wentworth when Claire shows up to break him out, Black Jack becomes aware of new “tools” at his disposal and he finally achieves what he set out to do – or so he thinks. After he learns that Jamie survived, his obsession returns but it lacks that violent edge. He broke Jamie but somehow he healed – and Black Jack doesn’t understand how that could be. Granted, the circumstances are very different in France and Edinburgh in Dragonfly in Amber but I for one don’t feel the same violent tendencies towards Jamie – though he does mentally play with Claire a bit. But I almost feel that it springs from a desire to understand how his accomplishment managed to be undone, to understand how anyone could come back from where he had put Jamie. Perhaps this is only so that he can find a way to break that once and for all but he doesn’t have the chance to experiment further (thank god).

For Frank, his obsession with Jamie is centered on how it has changed his own life – his relationship with Claire, the fact that he has Brianna in his life, and keeping things from changing again. Claire tells Frank and the hospital staff about her journey through the stones and Jamie until it becomes clear to her that they 1) don’t believe her and 2) her insistence on it was causing them to question her very sanity (which wouldn’t help her or anyone). Still, he knows that someone fathered Claire’s child and her insistence that she love him (Jamie) is obviously something that stuck with him – to the point where at some point, he began to consider and then believe the truth about her journey through the stones. Whether his interest was sparked after Brianna’s birth from a fear that whoever the man was might reappear and try to take her away or because of the ways that Claire’s time with him (Jamie) had changed the way she treated Frank doesn’t really matter. Claire’s relationship with Jamie changed how she viewed her love for Frank and her understanding of what a marriage could be – though we don’t get to see much of it first-hand in the narrative, it’s a pretty safe assumption that she didn’t treat him the same way she did before her journey through the stones. Watching Brianna grow, he had to wonder whether certain attributes/traits came from the mysterious father. Whenever he decided to start looking into Jamie Fraser, one thing leads to another and he learns that Jamie survived Culloden – a fact that, if Claire’s story is true (which he has to admit is a possibility, however much he doesn’t want it to be), then it means there’s a possibility that Claire (and maybe Brianna) could go back to him. Learning everything he can becomes as necessary as controlling that same information (keeping it from Claire and Brianna, deciding if, how, and when to tell them about any of it – the gravestone, the letter to Brianna, etc.).

In both of these obsessions, the men become not just obsessed with Jamie Fraser, but with controlling him in some way – physically and psychologically for Black Jack, narratively for Frank.

(wow, that got long and a little tangential towards the end; thanks for sticking with me so far)

Beyond these parallels @deesdiaries highlighted briefly in her post (and which I’ve expanded on more than was necessary), there are other parallels/similarities.

There’s the relationships both men have to their wives’ children. Frank raised Brianna as his own – a child he knew was fathered by another man. He actively wanted Brianna to believe he was her biological father and raised her as his own. Though Black Jack died at Culloden, he was talked into marrying his brother’s lover so that the child she bore would have the Randall name and he [Alex] could be sure the child was well cared for.

(Had he not died at Culloden, what kind of father do you all think BJR would have been to his nephew? He had affection for Alex but the nature of that affection is the subject of much speculation, given his relationships with other men named Alex – I don’t think DG used that name for the characters she did as an accident or a whim.)

From the beginning of the first book, both men are associated with “artificial” fragrances. Claire brushing her hair uses Frank’s favorite perfume L’Heure Bleu and he nearly uses it on himself. We all know that lavender is associated with Black Jack and it is one of the first things that Claire notices upon running into him when she first comes through the stones (it is also the first Claire notices the physical resemblance between Black Jack and Frank).

My captor, whoever he was, seemed much taller than I, but rather noticeably strong in the forearms. I smelled a faint flowery scent, as of lavender water, and something more spicy, mingled with the sharper reek of male perspiration. As the leaves whipped back into place in the path of our passage, though, I noticed something familiar about the hand and forearm clasped about my waist.

These don’t feel like such a strong parallel except for the way they both contrast with the descriptions of scent that surround Jamie and the other Scots. Blood, sweat, musk – natural odors accompany their descriptions. This might be considered related to Frank’s and Black Jack Randall’s preoccupation with appearances.

It’s slightly different in the television show where Black Jack is less concerned with physical appearance as some of his comrades in arms and he’s quite open with Claire about his dark nature. But in the book, Black Jack makes a bit more pretense with appearances both physically and when it comes to his actions with his prisoners/victims. He’s brutally honest when it comes to telling them what he’s about/what he wants to do to them, but there seems to be a greater effort made to conceal the truth from others, especially his colleagues. The circumstances of his association with the Duke of Sandringham are a little fuzzier in the books. The nature of Jamie and Claire’s appeal to the Duke differs from the show – the petition is not against Black Jack so much as for a pardon regardless. Black Jack’s association with the Duke seems to be rooted more in intelligence work and family friendship than the Duke protecting Black Jack from facing the consequences of his abuses (which doesn’t seem to benefit the Duke as much as Black Jack in the show’s adaptation). Without that more deliberate protection, Black Jack takes a few more precautions to maintain appearances himself.

Okay, that might not be particularly clear but when it comes to Frank and keeping up appearances, things get clearer. Beginning with Claire’s return, he refuses to leave her because of how it would look.

“I couldn’t leave you at the first – pregnant, alone. Only a cad would have done that.”

They move to Boston in part to start afresh with each other, but it also serves to cloud people’s understanding of Brianna’s parentage. Surrounding themselves with people who aren’t familiar with Claire’s disappearance and the timing wouldn’t think twice about who Brianna’s father was -they would simply assume it was Frank, creating the appearance of a happy family. That image extends to how he wants Claire to see him – the dutiful husband. Of course, we learn inVoyager about Frank’s affairs but one of Claire’s observations is that during those affairs, Frank was the epitome of discretion (she suspected but it was the women coming to her that put doubt from her mind).

“I thought I had been most discreet.”

“You may have been at that,” I said sardonically. “I counted six over the last ten years – if there were really a dozen or so, then you were quite the model of discretion.”

During that infamous fight, Frank accuses Claire of adultery with her friend Joe, not because it might be true so much but because it looks like it might be true (further evidence he doesn’t understand Claire as well as of his underlying prejudices). The accusation he threatens to make would also further his case for custody of Brianna – using appearances (in a manner similar to Black Jack) in order to gain his own ends.

I guess, for me, that selfishness is perhaps the biggest similarity/parallel between Black Jack and Frank. The nature of that selfishness is different – Black Jack enjoys hurting others and it’s what he intends to do while Frank hurts other inadvertently on the way to maintaining his own sense of comfort/personal identity. But they both approach situations from a self-centered place and it affects their ability to sympathize with and understand others.

Finally, Black Jack and Frank seem to haunt the characters/text long after they’re dead in the narrative. Though they don’t actively speak about Black Jack in those terms, Claire and Jamie do occasionally allude to Frank and his memory as such and I always think of them both as part of the “ghosts” Jamie refers to in A Breath of Snow and Ashes when he tells Claire:

“We’ve ghosts enough between us, Sassenach. If the evils of the past canna hinder us – neither then shall any fears of the future. We must just put things behind us and get on. Aye?”

Jamie actively contends with nightmares from Wentworth throughout his life. Those events also haunt his relationship with Lord John, affecting how he reacts to his friend’s sexuality and especially to his position at Ardsmuir in the wake of learning about that sexuality. Frank and the disappointments of her marriage to him similarly haunt Claire. She knows that neither of them were satisfied with their marriage and regrets that there was nothing more they could find to do to “fix” what they had or make each other happier than they did. Frank’s memory haunts Brianna especially as she struggles to come to terms with having two fathers and reconciling her feelings for both men (affection, loyalty, frustration, etc.). I’d argue Frank is the more haunting presence as we continue to learn more of what he knew and what he did through the series – the gravestone from the letter at the end of Drums of Autumn, the letter Brianna finds in Written in My Own Heart’s Blood regarding the Fraser Prophecy, etc.

I’m interested to see how the show continues to adapt these two characters as they’ve already gone a long way towards establishing and emphasizing the similarities they have (look at the Frank-fiction in Episode 8 and how easily Frank crossed over into violence). I know a lot of people aren’t looking forward to seeing more Frank, but I wouldn’t mind a bit more of his and Claire’s relationship during the 20 years she was separated from Jamie. As it is, we only get a few glimpses from Claire’s memories while we have a much more solid and first-hand feel for what that time was like for Jamie.

*I do think it is important to remember that while there are a lot of similarities and parallels between these two characters, they are not the same person/character. Frank wasn’t perfect by a long shot and could be a complete ass about some things but I don’t think anyone would argue that he is as bad as Black Jack with his well documented tendency towards sexual sadism and torture. Textually, they are strong foils for Jamie, Claire, and their relationship with one another but even in their similarities; their characters and the circumstances they help create/helped create continue to impact the Frasers and the series’ plots and relationships. But Black Jack and Frank have strong and significant differences to balance those similarities explored above (though that would be a post for another time).

Share
Read more

Share

Among the theories postulated about time travel, a tumblr friend proposes a theory she terms “The Endless Loop.”  It is both fascinating and mind boggling.  http://gotham-ruaidh.tumblr.com/post/121471504266/the-endless-loop.  Below is her tumblr post.

The Endless Loop

Here’s something I’ve had in the back of my mind for almost as long as I’ve been an Outlander fan.

Jamie and Claire have always and will always find each other. Literally.

Claire is born in 1918 and falls through time in 1945. She arrives in 1743, spends 3 years there, goes back to the 20th century, stays there until 1968, goes back to 1766. Presumably lives the rest of her days with Jamie until she dies (Diana Gabaldon has repeatedly said that she expects the series to end circa 1800, in Scotland, but then again she said that Book 5 would be called “King Farewell” and that there would only be one more book after that…but I digress…)

Anyway, the key point is that even if Jamie and Claire pass away circa 1800, Claire will be born again in 1918. She’ll fall through time again in 1945. She’ll meet Jamie again in 1743. Etc.

So they’re in an endless loop of finding each other, losing each other, and then finding each other again.

Here’s food for thought: If Jamie and Claire are in this loop – and have been in it countless times – what iteration are we reading about in the Books? Is this their 10th go-round? 100th?

But it doesn’t matter – because they always, always find each other.

_________________

Thoughts?

Share
Read more

Share

Episode 110 is another great one in Season 1, and we’re glad to share some of our favorite scenes.

The Smackdown.

ol-s1-10-claire-slaps-leghair3

Could you swear you didn’t cheer aloud when Claire slapped Leghair?  You know she had it coming.

The Edict

ol-s1-10-colum-angry1 ol-s1-10-colum-angry2

This is great because it shows that Colum, though feeble and smaller in stature commands the room.   He is The MacKenzie.  There is no doubt about that.

Goodbye Kiss

ol-s1-10-jamie-claire-kiss1 ol-s1-10-jamie-claire-kiss2

*sigh*  Here is the point in which Claire chooses.  “Come back to me, James Fraser.”  She has done all she can to take care of him, she has made sure he has more than what he needs, but she needs him to come back.  She loves him, and Jamie knows it.  That is why he is on the verge of tears at this parting.  He will miss her, yes, but he is touched that she will miss him as well.

And the kiss.

Mrs. Fitz

ol-mrs-fitz7 ol-mrs-fitz8 ol-mrs-fitz9a ol-mrs-fitz9

We love Mrs. Fitz.  If her reaction is any indication of the majority at Castle Leoch, Colum may have underestimated the acceptance of Jamie as Laird and Claire as his Lady.  Regardless, Mrs. Fitz has always supported Claire and has a genuine affection for both of them.  We hope she and her family survive the aftermath of Culloden.

The Changeling

ol-s1-10-jamie-claire-at-fairy-mound1 ol-s1-10-jamie-claire-on-fairy-hill2

This isn’t necessarily a favorite scene, but it is one that makes us wonder.  Claire is catapulted back through time 200 years, yet she completely dismisses any notion of fairies, changelings, or anything else from the mythological or supernatural realms.  After having an experience that defies explanation, one would think she would be a little more open minded.

 

Share
Read more

Share

Episode 109, “The Reckoning,” is aptly named.  Throughout the episode we see many characters having to answer for and deal with the consequences of their behavior.  It is one of my favorite episodes and is the beginning of the second half of Season 1.  These are a few of our favorite scenes.

Forgiven

ol-s1-9-jamie-claire-fight-540-1ol-s1-9-jamie-claire-fight-540-2ol-s1-9-jamie-claire-fighta ol-s1-9-jamie-claire-fight-bol-s1-9-jamie-claire-fight-c ol-s1-9-jamie-claire-fight-dol-s1-9-jamie-claire-fight-e ol-s1-9-jamie-claire-fight-fol-s1-9-jamie-claire-fight-g

Caitriona Balfe and Sam Heughan said this is one of their favorite scenes.  In fact, it was one of Caitriona’s audition scenes.

The episode begins with Jamie’s rescue of Claire where the mid-season finale left us.  Once Claire and the rescue party are safely away, Jamie confronts Claire.  They engage in a fierce argument where each says things that will soon be regretted.  The root of their anger is fear.  Jamie is afraid of losing Claire and Claire is afraid for her own safety.  When she was captured by the Red Coats, she was still shaken by the attack in the glade.  No only had she been nearly raped, but she was within seconds of a second attempted rape and mutilation by Black Jack Randall.

It is difficult to argue against Jamie’s point that her capture wouldn’t have happened if she had stayed “put,” but neither of them sees the situation with a clear head.  Harsh words are exchanged, but when Jamie explains his feelings of helplessness when he heard her screams and reminds her that he was practically unarmed when he rescued her, the situation begins to calm.  He finally drives home his point when he tells her that she is “tearing his guts out.”  Despite the fact that she attempts to return through the stones, she loves Jamie, and seeing his grief brings them back to a good place… for about five minutes.

Duty

ol-s1-9-punishment1 ol-s1-9-punishment2ol-s1-9-punishment3 ol-s1-9-punishment4

This was a highly anticipated scene when the episode premiered, and fans wondered if Ron Moore would really take it there.  He did.  Although parts of the so-called “spanking” were funny to fans, Claire failed to see one bit of humor.   A husband spanking a wife for disobedience is taboo in Claire’s time and ours.

However, I disagree that Jamie performed his “duty” because it was the societal norm of his time.  When Jamie, Claire, and the Highlanders first arrived at the inn, Jamie doesn’t seem to have any intentions of exercising his duty.  It isn’t until he notices, to his surprise, the highlanders ignoring Claire that he begins to consider it.  He even tells her upstairs that if what she had done had hurt only him, he would never say more about it.

When Duncan points out that Claire doesn’t “understand” what she has caused, that is the game changer.  Jamie knows he must take action.  In my opinion, he doesn’t punish Claire because it is customary, but rather because the Highlanders expect it.  That in itself I don’t believe would even be enough to persuade him to take action, but he knew if he didn’t do something he could never depend on their help again.  Claire would be ostracized from the group.

Hail to the Chief

ol-s1-9-you-marry-a-sassenach1 ol-s1-9-you-marry-a-sassenach2

First, Colum summons the “three weasels” and holds them accountable for collecting funds for a Jacobite rising.  We can’t fault Colum for being agry that Dougal and Ned did this without his prior knowledge or approval.  He may have physical limitations, but Colum commands the room.

After dismissing Dougal and Ned, Colum shares his displeasure with Jamie on his marrying a sassenach.  I especially like this scene for the show-only fans who haven’t read the books.  This is the first time we realize that Dougal does in fact want Jamie to be his successor instead of Dougal, but he fears that having a sassenach wife will prevent the clan from supporting Jamie over Dougal. Subsequently, we learn that Colum’s judgment is sound when Jamie advises him on resolving the issues that threaten to induce a civil war within the clan.  Jamie, our King of Men, is showing us great leadership potential.

Beauty and the Beast

ol-s1-9-jamie-leghair1-400 ol-s1-9-jamie-and-leghair2-400

This is one of my favorite scenes simply because of Jamie and Sam Heughan.  He’s so unbelievably handsome.  It is understandable that Laoghaire (aka Leghair) wants Jamie to be the one to take her virginity (assuming she still has it), but… NO.  Back off sister.  He’s off the market.

Jamie, being the King of Men, rejects her in as kindly a manner as can be done.  However, in a Podcast, Ron Moore claimed he really wanted Jamie to actually be tempted enough by Laoghaire to kiss her.  He said Maril argued with him about it and he finally acquiesced.  We owe Maril a debt of gratitude.

You are my home now.

ol-s1-9-jamie-claire-make-up1 ol-s1-9-jamie-claire-make-up2ol-s1-9-jamie-claire-make-4 ol-s1-9-jamie-claire-make-up5

Let’s just be honest here.  Who doesn’t love good make up sex?  Jamie and Claire certainly do, but she made Jamie earn it.  She withheld affection, but after seeing that Colum was capable of bending for the greater good, Jamie followed suit.  And thank you, Sweet Baby Jesus, that he did.  Jamie swears an oath to never lay a hand on her again, and Claire forgives and “has” him.  (Who wouldn’t?)  But when she has him where she truly wants him, she makes him a deal he can’t refuse.  With a knife to his throat, Claire makes her own vow:

“Jamie, if you ever raise a hand to me again, James Fraser, I will cut your heart out and have it for         breakfast.  Do you understand me?  Do you?”

“You have my word.”

Girl power in action.

Share
Read more

Share

Episode 108 is the mid-season finale.  We see what Frank has been doing since Claire went through the stones and we also see how Jamie and Claire’s relationship continues to grow.  She has become one of the clan.  She forgets about her plans to return to Craigh na Dun until she suffers an attempted rape and happens upon the stones while awaiting Jamie’s return from meeting Horrocks.  Before she can touch the stone, she is captured by British soldiers and taken to Black Jack Randall.  Jamie rescues her just in the nick of time.

It’s different.

OL-S1.8-Jamie-and-Claire1 OL-S1.8-Jamie-and-Claire2 OL-S1.8-Jamie-and-Claire3 OL-S1.8-Jamie-and-Claire4 OL-S1.8-Jamie-and-Claire5 OL-S1.8-Jamie-and-Claire6OL-S1.8-Jamie-and-Claire7

Jamie and Claire are married two days when they picnic at the top of the cliff and meet the beggar, Hugh Monroe.  Hugh gifts Claire with a unique fossil, which appears to be a dragonfly trapped in a chunk of amber.  We will see this fossil twice more in Episode 213.  However, my favorite part of this scene is illustrated in these gifs.

Jamie, as inexperienced as he is, recognizes that their relationship is special and wonders if what they have is typical of married couples.  Out of guilt, Claire fights her feelings for Jamie but ultimately does not lie to him.  She confesses that what they share is not usual, it is different.  This may be the first time Claire admits to herself, as well as Jamie, that they share a unique and special love and a unique and special physical relationship.

May I just add here that the hand sex in the last gif is super sensual?

The Sgian Dubh.

OL-S1.8-Sgian-Dubh1 OL-S1.8-Sgian-Dubh2

“Every man and woman must know how to defend themselves, Sassenach, especially those married to a Fraser.”

After the attack by the Grants, the Highlanders decide Claire should learn to defend herself from an assailant.  Poison is often seen as the weapon of choice for women, but as Dougal points out, “it has certain deficiencies in combat.  The lass needs a sgian dubh.”  Angus trains Claire in the proper use of the sgian dubh (hidden dagger), and we later realize that this scene is foreshadowing an imminent future event.

 

The Sgian Dubh Again.

OL-S1.8-Deserters-Attack2

While frolicking in the meadow (because the wanting never stops), Jamie and Claire are attacked by two British soldier deserters.  The situation looks grim, as one soldier holds a gun to Jamie’s head while the other attempts to rape Claire.  Claire takes a brief moment to gather her wits and recalls her sgian dubh training.  Because she has the weapon and knows how to use it, she is able to save both their lives.  During the instant the gun wielding soldier is distracted by the screams of his dying partner in crime, Jamie is able to slit his throat.

I love badass Claire.

The Cliffhanger.

OL-S1.8-take-yer-hands-off-my-wife1 OL-S1.8-take-yer-hands-off-my-wife2

Jamie rescues Claire before BJR can harm her, but Jack’s reaction is priceless.  “Good God.”  Then he laughs like he is happy to see Jamie, which is probably true given his obsession, but Jamie is the last person he expected to see in his window.  This is a great cliffhanger because we know we’re going to see a confrontation, a battle between good and evil.  We even suspect Claire will have some explaining to do since she promised Jamie she would “stay put.”

Then begins our first Droughtlander.

 

Share
Read more

Share

There isn’t a single aspect of this episode that is not wonderful.  In fact, for many fans it is the most highly anticipated and memorable event in the Outlander universe.

Conditions

OL-S1.7-Jamie-3-conditions1 OL-S1.7-Jamie-3-conditions2 OL-S1.7-Jamie-3-conditions3 OL-S1.7-Jamie-3-conditions4 OL-S1.7-Jamie-3-conditions5 OL-S1.7-Jamie-3-conditions6

This is a favorite scene because we see how serious Jamie is about the marriage contract.  Before he agrees, he consults Murtagh, saying he intends to be wed but once and asking him what he thinks about Claire and whether his mother would approve.  Murtagh assures Jamie that she “will do,” and that her smile is as sweet as Jamie’s mother’s smile.  (”Still waters run deep, ye ken?)

After having received Murtagh’s approval, he agrees to marry Claire in order to keep her out of the clutches of Black Jack Randall.  However, the fact that he takes it so seriously and gives Dougal conditions for the marriage tells us that there is more to his decision.  Jamie’s conditions will insure that the ceremony will be as special as possible for both of them under the current circumstances.  He demands the ceremony be held in a church before a priest and that Claire have a ring and a proper wedding dress.  Jamie is always thinking about Claire.  This is why he is the King of Men.  Every woman needs a Jamie.

A Blood Oath is Made

OL-S1.7-the-wedding-pt.-2-5 OL-S1.7-the-wedding-pt.-2-6 OL-S1.7-the-wedding-pt.-2-7 OL-S1.7-the-wedding-pt.-2-8 OL-S1.7-the-wedding-pt.-2-9 OL-S1.7-the-wedding-pt.-2-10 Gaelis Wedding vow

The visuals in this episode are most pleasing (ahem..), but the the significance of the Gaelic Wedding Vow should not be diminished. If Claire had been aware of its significance, she may have refused to do it at the time because she saw the marriage as a temporary resolution of her problem and had every intention of getting back to the stones.

The magic in this story (especially the books) is sometimes subtle, but it is potent, and the Gaelic Wedding Vow that Claire and Jamie take is essentially a blood oath.  Blood is a powerful symbolism, and sometimes even has mystical powers.  The blood oath makes use of this to make a commitment that can’t be broken.

Blood spilling is a potent force in the working of magic, and in some mythologies certain types of blood are deemed more powerful than others.  Some consider the blood of royalty, the blood of a special line (Fraser, the Fraser Prophesy), the caster’s own blood (Jamie and Claire), and virgin’s blood (Jamie) to be most powerful.

In many ways their wedding ceremony represents the traditions of their time, but their blood vow may be described as something between a binding handfasting and an initiation.  It is a spiritual blending, a binding of their souls, not just to God but to one another, and not just for this lifetime but forevermore. Not until death-do-us-part but for all lifetimes to come.  Jamie knew what he was doing and knew it’s significance, but Claire did not.  Claire viewed the wedding as a temporary solution until she could return to her time, but Jamie took the ceremony and it accompanying oath very seriously. As he tells Murtagh, he intends to marry only once, and he wanted to do it right.  He insists that they wed in a church, before a priest, with a ring for Claire and a proper dress.  He wanted to make it special for her as well.  Claire’s heart may not have been in it initially, but, as we know, looking back she wouldn’t have changed a thing.  That, my friends, is a commitment.

I Said I Was a Virgin, Not a Monk

OL-S1.7-I-said-I-was-a-virgin1OL-S1.7-I-said-I-was-a-virgin2 OL-S1.7-I-said-I-was-a-virgin3

Nothing else need be said about this scene other than it is perhaps one of the most beloved and anticipated lines from the Outlander novel.

“I did like it, Jamie.”

OL-S1.7-I-did-like-it-Jamie-0OL-S1.7-I-did-like-it-Jamie1 OL-S1.7-I-did-like-it-Jamie4

After the first round of obligatory sex to consummate their marriage, Jamie asks Claire if she liked “it.”  The highlanders had given him advice, and Murtagh had said that women don’t usually enjoy “it.” Poor Jamie is crushed when Claire fails to respond immediately and he assumes she had not liked “it,” as Murtagh had warned.

In truth, Claire does not respond immediately because of her own internal conflict.  She is ashamed that she had indeed enjoyed their sexual act and feels like a “bigamist” and an “adulterer.”  Upon realizing his disappointment she admits that she had enjoyed the sex, which immediately improves Jamie’s outlook.  It is written all over his face.

Don’t worry, Jamie.  You and Claire will enjoy a fabulous, “not usual” sex life together.

Duty, Pleasure, Love

Jamie and Claire’s lives will never be the same now.  At the beginning of the episode they have already formed an attraction and at least a friendship.  Jamie’s feelings are stronger than Claire’s, but they begin their marriage as equals.

With an act of sexual duty they establish consummation and fulfill a contract.  As noted before, Jamie still hoped Claire would find it pleasing, and was gratified (and a little smug) to learn that she did.

Their next sexual act is for pure pleasure.  They take their time, engage in verbal foreplay, and are playful in bed.

Finally, they make love.  He shows her how much he values her by giving her the last remaining memory of his mother.  He has brought her into his family by this gift and she recognizes the value of that.

I think it is important to realize that in each of these encounters, Claire initiated the sexual act.

“Perhaps we should go to bed”

“Take off your clothes.  I want to look at you”  (thank you Claire!)

And finally by reaching out to him and making love with him, maintaining eye contact the entire time.

Jamie never once forced the issue with her.  She had been forced into too many things already.  In this instance, the choice was always hers.  The agency was always hers.  The power was always hers.

He is “under [her] power and happy to be there.”  It is a beautiful thing.

Share
Read more

Share

Episode 106, “The Garrison Commander,” is not one for the feint of heart.  Claire’s meeting with Black Jack Randall is expanded from the book version to take up most of the episode.  Ron D. Moore’s expanded adaptation was intended to help shed light on the diabolical behavior and nature of the infamous Captain of Dragoons.  The flashbacks to Jamie’s flogging as Black Jack Randal recounts the events to Claire are disturbing and difficult to watch.  Two of our favorite scenes occur at the end of the episode and offer some much needed levity from the brutality of most of the subsequent scenes.  Therefore, rather than focusing on the darkness in which BJR tells Claire he belongs, we will focus on a scene that illustrates Jamie’s strength and defiance of his tormentor.

“The boy would not beg.”

OL-S1.6-the-boy-would-not-beg1

OL-S1.6-boy-did-not-beg4OL-S1.6-boy-would-not-beg5OL-S1.6-boy-would-not-beg6OL-S1.6-boy-would-not-beg6

UGH!  This scene was both the best and the worst for me.  It was awful to watch, yet so masterfully played.  From an acting standpoint it is exceptional.  We have not just the voice over from Tobias (as BJR) in that flat affect, but Sam really sells so convincingly the pain of the flogging and Jamie’s stubborn determination not to acknowledge it.

From a narrative POV, THIS small but effective scene is the crux of the relationship between Black Jack Randall James Fraser.  This moment is what precipitated BJR’s fascination/obsession.  Jamie’s strength of will became Jack’s white whale.  And we know how THAT turns out.  Grrr.

This scene, this horrible, awful, beautiful scene so perfectly showcases and explains everything that comes after it.  Everything.  All of Black Jack’s subsequent actions (and words) to both Jamie and Claire are predicated by what he says here.  We see that he likes to hurt.  He likes to break.  He attempts it with Jamie in the actual flogging.  He attempts (and perhaps succeeds) in the recounting of it to Claire.  I don’t believe that it was a moment of self-reflection for him.  It was a moment of pride.  He was gloating to Claire, and thereby breaking her trust that somewhere inside him was a decent human being.  He set her up perfectly for the literal/metaphorical gut punch that comes next.  BJR is literally the worst.

Even though this passage is less than a page in the book, I love that they devoted an entire episode to it in the series.  It was important not just to learn the lengths that BJR will go to, but we learned a lot about Jamie and Claire as well.  We actually learned a great deal about Jamie, more so than we have probably learned up to this point.  Yes, we were told of the flogging, but Jamie brushes it off.  He does not want people (Claire, Alec) to be uncomfortable or pity him for it.  But we never see the strength of character or stoic nature that Jamie has until we see the moment.  We see EXACTLY what Jamie is willing to put himself through for the people he loves.  We see the pride that Jamie has.  This pride is not a character flaw.  It is a pride of WHO he is… not just as a man, but as a Scot.  He is a symbol of the Scottish people.  They are beaten, shackled, and abused, but they are not broken.  They will not beg.    -S

“Well, I must admit, the idea of grinding your corn does tickle me.”

OL-S1.6-Claire-Dougal-grind-your-corn1AOL-S1.6-Claire-Dougal-grind-your-corn2OL-S1.6-Claire-Dougal-grinding-your-corn3

OL-S1.6-Claire-Dougal-grinding-your-corn4OL-S1.6-Claire-Dougal-grinding-your-corn5OL-S1.6-Claire-Dougal-grinding-corn6

I love Graham McTavish, but his character, Dougal, is not a favorite of mine.  That said, in Episode 106, Dougal has a line of dialogue that has become iconic in the Outlander fandom.  “Well, I must admit, the idea of grinding your corn does tickle me…”   Truthfully, with the possible exceptions of Father Bain and the Duke of Sandringham, who among the male characters wouldn’t like to grind Claire’s corn?

People who had not read the Outlander books before seeing this episode must have been anxious to learn exactly who Dougal had nominated for the position of Claire’s husband.  They must have breathed a sigh of relief to learn that it was not Angus, Rupert, or even Murtagh, but Jamie.  Don’t worry, Claire.  Everything is going to work out just fine.

“I reckon one of us should ken what they’re doing.”

OL-S1.6-not-a-virgin1OL-S1.6-Jamie-virgin2OL-S1.6-Jamie-virgin3OL-S1.6-Jamie-virgin4OL-S1.6-Jamie-virgin5OL-S1.6-Jamie-virgin6

Claire, you are a lucky woman.  Dougal nominated Jamie for the job.  (Though I must add that Jamie is also lucky because God is giving him a “rare woman.”)  This is one of my all time favorite scenes. Claire isn’t pleased about the forced marriage, but with the aid of a bottle of whisky she reconciles herself to it.  Jamie isn’t nearly as bothered about it.  Their mutual attraction is strong, but he is willing to do anything to protect Claire from Black Jack Randall.  The look on Claire’s face when Jamie informs her that he is a virgin is simply priceless.  The thought of de-flowering the young highlander clearly makes her anxious, but as we will see in the next episode, “The Wedding,” Jamie is a quick learner.  In fact, in the book, Claire reflects that “Virgins are highly underrated.”   -D

Share
Read more

Share

Episode 104, “Rent”

Claire has already begun to establish a friendship and mutual attraction with Jamie, but after a rocky start, in “Rent” she finally solidifies her relationship with the Highlanders.

OL-S1.5-Jamie-and-Claire2-8-13OL-S1.5-Jamie-and-Claire-8-13  Once on their journey to collect rents, it isn’t long before Claire begins to feel isolated from the Highlanders.  She is concerned that their use of Gaelic represents an effort to exclude her, and she reminds herself that being on the road would be her opportunity to escape.  Jamie notices her unease and comes to her.  She asks him if the Highlanders hate her.  Jamie reassures her but admits that they don’t trust her.  Then she asks him if he thinks she is a spy for the British.  He tells her,  “No, but I do think there are things ye’re not telling us, and I know you tried to run during the Gathering.  It’s on your mind still, plain and clear.”

What is interesting about Jamie’s observation in that in the books, Claire is frequently puzzled by Jamie’s seeming ability to read her mind.

OL-S1.5-Claire-and-Angus-8-13 OL-S1.5-Jamie-ripped-shirt-8-13  Once again, Claire’s righteous indignation causes conflict, and Jamie comes to her rescue when Angus does not take kindly to being called a thief.  Claire believes Dougal is not only collecting rent from clan members, but is using Jamie’s scars to garner sympathy from them in order to line his own pockets.

OL-S1.5-Claire-and-Ned-8-13  Claire’s healing skills had begun to give her some credibility and help build a measure of trust with Dougal and Colum.  However, when she confronts Ned about her suspicions, that trust quickly dissolves.  It isn’t until another collection night that Claire realizes Dougal is raises the extra money to finance a Jacobite rebellion.

OL-S1.5-Jamie-and-Claire3-8-13  This is my single most favorite scene from the episode.  The collection party stops at an inn for the night.  While the men drink downstairs in the tap room, Claire retires to her room upstairs.  A noise outside her door leads her to investigate the source of the disturbance.  She finds Jamie just outside the door after she steps on him.  For fear that the drunken men might wonder upstairs, he again intends to protect her by sleeping at her door.  She offers to let him come inside, but he fears it “would ruin [her] reputation.”  Amused, Claire instead offers him her blanket, “If it isn’t too scandalous,” and he bashfully accepts.  The sexual tension in this scene can be cut with Jamie’s dirk.  (Yes, pun intended.)

OL-S1.5-fight-8-13  The next morning during breakfast when Claire tries to convince Ned that history will never again record the name of a Stuart king, a group of rowdy locals are heard referring to Claire as a “Hoor.”  Ironically, Angus, who had previously drawn his knife on her, is the first to throw a punch in defense of her honor.  After the fight, Murtagh explains to Claire that as she is a guest of the Mackenzie, “We can insult ye, but God help any other man that does.”  Even Dougal joins in the fight.  This represents a turning point in Claire’s relationship with the Mackenzies.  A bond is strengthened and she is defended as one of their own.

OL-S1.5-Claire-tells-joke-8-13  Rupert regales the group with a story about his experience with two women in bed, where they become jealous and begin arguing over who he will “swipe” first.  “Can you believe it?” he jokes.  Claire replies, “I believe your left hand gets jealous of your right.  That’s about all I believe.”  After a brief silent pause, Rupert breaks into a hardy laugh, the Highlanders following suit.  “Ah, you’re a witty one,” Jamie says.  Amazed at what he has heard from Claire, Rupert says, “I’ve never heard the woman make a joke!”  Claire responds, “There’s a first time for everything.” Clearly the entire groups appreciates the moment, and the bond with the Highlanders is now solidified.

Now Claire needs only to convince Dougal that she is not a spy.

 

 

 

 

 

 

 

 

Share
Read more